Tag Archives: cezanne

All I want for Christmas…Advent Calendar of Essentials (!)


Advent calendars covered with glitter, or rattling with chocolates, are almost the best bit of Christmas. The tantalising countdown to the day itself raises expectations to a ridiculous degree.

My calendar is a shortish list of all sorts of mostly arty things that would be very nice to have in a stocking, under a tree, wrapped with a bow, sealed with a kiss.

 


Paul_Cézanne,_1888-90,_Madame_Cézanne_(Hortense_Fiquet,_1850–1922)_in_a_Red_Dress,_oil_on_canvas,_116.5_x_89.5_cm,_The_Metropolitan_Museum_of_Art,_New_York

ONE

I went to this wonderful exhibition a couple of weeks ago – well worth a visit. I normally buy a catalogue but I was a bit pushed for time…

Cézanne Portraits at National Portrait Gallery

This major international exhibition brings together for the first time over fifty of Cézanne’s portraits from collections across the world, including works which have never been on public display in the UK.

Over a working life of some forty-five years, Cézanne made almost 1,000 paintings of which around 160 are portraits. The exhibition  considers the extent to which particular sitters shaped the development of his practise.

Number one


TWO  Number Two

017450300000 analinky

These are a product I use all the time – I get through endless sets.  What I REALLY want for Christmas is for Koh I Noor to make these with big pans of colour so I can use a bigger brush.


THREE

Number Three

The Art Fund

As a child I thought book tokens were a bit of a cop out – a lazy present turning good money into less good money; membership to the Art Fund is the very opposite. This allows the member to have access free, or at reduced rates to galleries all over the country AND the Art fund supports artists and museums.

For over 110 years they have supported museums and galleries, and helped them to buy and display great works of art for everyone to enjoy.

The Art Fund helps museums and galleries in a number of ways:

  • Providing museums and curators with funding for: acquisitions; training and development; and the display of art through tours and exhibitions.
  • Running public appeals when a particular work of art is under threat; for example, in 2014 we ran a successful campaign to save one of the most important industrial archives in the world, the Wedgwood Collection, which documents the evolution of ceramics design over 250 years. Recently we also led a successful appeal with the National Portrait Gallery to save Van Dyck’s final self-portrait for the nation. In recent years we have run several major appeals, raising £45m to save works of art or collections.
  • Promoting hundreds of UK museums and galleries through the National Art Pass, the Art Guide app and more.

FOUR

ERF5001940 encaustic

Number Four

I love to try new things – who doesn’t? I use wax crayons and wax resist techniques all the time so this encaustic beginners set seems to be the logical next step.

 

 

 


FIVE

p-jasshiro brushes

 

Number Five
Just can’t have too many…

 

 

 

 


SIX

Number Sixapron

A good apron is hard to find.  Some people turn up to classes in full body overalls – not a bad idea.  I rather like this, less drastic option.

 

 

 

 


SEVEN

2135615

Number Seven

No list is complete without chocolate.

I don’t know anyone else who likes these so it looks like I get the whole box to myself.


EIGHT

Number Eight

This is TOTALLY ridiculous as half the pleasure of painting is choosing the materials…BUT… it is a very tasty set of delicious paints.

Old holland


NINE

Number Nine

These two Van Gogh paintings of blossom, together with Bonnard’s painting of an Almond Tree, make me yearn for a show of spring flowers.


TEN

Number Ten

Lino printing is occasionally forgotten…dismissed as a school pleasure and rather junior. Now is the time to revisit relief printing. Speedy Carve have a  rubbery material that is very easy to use. Lawrence Printmakers have everything you need for any sort of printing; their beginners kit will use high quality materials. Pfeil tools are the BEST.


I forgot to mention cashmere bed socks.  Get the best you can afford and have a warm and Happy Christmas.

Still life in the Still Life


Still Life should NEVER be boring

One of the principal genres (subject types) of Western art – essentially, the subject matter of a still life painting or sculpture is anything that does not move or is dead. Tate website

The Still Life is a place to play with ideas, experiment with materials, try new compositions, most importantly, to take your work forward. Still life gives the artist more freedom in the arrangement of elements within a composition than do paintings of any other types of subjects.

There are a few classes left this term to try new things, play with old ones and to put your own stamp on the genre.

Each class is £45/ea, or £120 for 3. Please contact kate@artdrawpaint.com for more information.

Cezanne does Still LifeCézanne,_Paul_-_Still_Life_with_a_Curtain.jpg

15th November, 9.30am – 12.45pm

Cezanne found in Still Life a vehicle for his revolutionary explorations in geometric spatial organization. For Cézanne, still life was a primary means of taking painting away from an illustrative or mimetic function to one demonstrating  the elements of color, form, and line – a major step towards Abstract art.

You will look at Cezanne’s Still Life, with a fresh version in the studio, learn from his approach and bend it to your will.

 

henri_matisse_mah002

Colour as it Isn’t

22nd November, 9.30am – 12.45pm

Today is all about colour; why stick with a dull copy of the objects in front of you when you can do so much more? You will be playing with the idea of restricted palettes and full on, full blast, sock-it-to-the-Fauves bright and wild palette. See what suits you.

Throw Everything at It

29th November, 9.30am – 12.45pm

Rather a clumsy title but gives some indication of  the mixed media, multi media approach of contemporary practise. During the 20th and 21st century, the notion of the still life has been extended beyond the traditional two dimensional art forms of painting into video art and three dimensional art forms such as sculpture, performance and installation. Some mixed media still-life works employ found objects, photography, video, and sound, and even spill out from ceiling to floor and fill an entire room in a gallery.

You will be restricted by the size of the studio otherwise let your imagination run wild – something akin to Blue Peter on a sugar rush (?).

 

Autumn Art at the Studio, Wherwell Priory


Oil Painting for Beginners on Mondays

FullSizeRender

19th, 26th,September, 3rd, 10th, 17th October

7th, 14th, 21st, 28th November, 5th December

9.30am – 1.00pm

The whole 10 week course £350,

If paid as two half terms, £195 each half.

Classes missed cannot be carried over.


This ten week course takes you from absolute beginner to being competent, confident, and independently able to use oil paints. You will start each day developing drawing skills that underpin many methods of painting. You will learn about tone, mark making, colour, some aspects of composition, and the different materials used to paint with oils.

19th September can be treated as a taster day to see if the course is right for you. This will cost £40 refundable against the rest of the course.

 Some materials are provided, but over the duration of the course you will be advised about what you need to get started. I don’t want to burden you with a huge expense before you have started.

Contact me for more details and availability kate@artdrawpaint.com


There’s more to Still Life than Onions…

Red Vegetables, oil, £

20th, 27th September, 4th, 11th, 18th October

8th, 15th, 22nd, 29th November, 6th December

The whole 10 week course £350,

If paid as two half terms, £195 each half.

Classes missed cannot be carried over


Still Life classes can be a bit dull.

The idea of this course is to have a look at a number of different creative approaches and apply these ideas to a Still Life.

Some of the things you will be looking at are: narrative paintings, size and composition, Cezanne’s approach to still life, strange compositions, playing with colour, found supports, repetition and deviation, making the everyday ‘special’ and making it personal. You will be encouraged to try fresh methods of doing things, and to play with new ideas.

It does not matter what materials you wish to use, these classes are about exposing you to different ideas. I will help you with any practical problems should they arise, so don’t let inexperience put you off. These classes should help you to find what you want to paint, and how you wish to do it.

20th September can be treated as a taster day to see if the course is right for you. This will cost £40 refundable against the rest of the course.

This class is appropriate for anyone, what ever materials they wish to use.   I will provide paper and charcoal for initial exercises. Other materials are up to you.

Contact me for more details and availability kate@artdrawpaint.com


Tea, coffee and biscuits are provided – ESSENTIALS.