There is nothing like a wet Sunday in August to remind you that the seasons are changing, ‘We wish you a Merry Christmas’ will be available in shops near you before too long, and the Autumn Term is upon us.
Below is a list of the classes currently available. Click on titles for more information. If you want to contact me please send me an email Kate Measham
I hope to squeeze in a couple more classes at some point so keep an eye out for updates.
Welcome to Hampshire Open Studios 2018! Our full colour brochure is out now and highlights more than 250 venues that you can visit across Hampshire in the ten days leading up to the August Bank Holiday weekend – 18th to 27th August.
Cass Art shops are full of helpful, experienced artists who can guide you towards delicious bits and pieces of equipment. When it comes to packing for a holiday what do you take with you? Clearly you can not take everything. Below is part of the CASS Art Blog. For more go to their website.
I thought the bit about being Airport Savvy was particularly useful.
HOW TO PAINT ON THE GO: OUR TRAVEL TIPS & TECHNIQUES
‘Windmill’ by Kim Whitby, Semi-Finalist of Sky Arts Landscape Artist of the Year 2016
Packing light is every artist’s nightmare. Whether you’re painting in plein air or planning an urban sketching tour, it can be a little overwhelming when it comes to narrowing down the essentials for a trip. With your studio host to hundreds of materials at your fingertips, where do you begin? We asked our staff artists about their must have materials and their top tips and techniques for taking your practice on the go.
LIMIT YOUR PALETTE
Reducing your palette is first trick to travelling light. A core range of colours can be used to create a spectrum of different shades. Try limiting your choice of palette to six essential pigments, such Alizarin Crimson, Burnt Umber, Cadmium Yellow, Terre Verde or Sap Green, Ultramarine and Titanium White. Using an artist quality paint loaded with pigment will ensure the colours don’t muddy, and your hand-mixed shades will remain bold and rich in colour.
Whether you’re painting or drawing on the move, most brands offer sets tailored to plein air, landscape or portraiture themes, helping you limit your colours to just the essentials. Michael Harding Plein Air Set offers a selection perfect for outdoor painters whilst the Sennelier Landscape Set offers oil pastel artists a selection of earthy pigments.
There is nothing worse than having hundreds of pounds worth of art materials confiscated at the airport security desks. Explore our top tips for taking your materials abroad and make security a stress free experience.
1) If you’re travelling hand luggage only at the airport, remember that all liquids in your hand luggage must be below 100ml and in a clear, zip lock bag. This includes all toiletries, creams and gels and is limited to a maximum of 15 items per person. Tubes of paint, inks, mediums and gels all count towards this restriction.
2) If you’re planning a big painting trip, artist paints are permitted, providing they are not lead based. To be on the safe side, check a bag into the hold to avoid disappointment when travelling through security.
3) Be mindful of the materials you are packing. Hazardous or flammable liquids are not allowed, so leave your brush cleaners and turps at home.
4) It may not seem like a dangerous item, but some materials can fall under the sharps and tools category. Ensure all lino cutting tools, palette knives, scalpels and scissors are all checked into your hold luggage to ensure they aren’t disposed of at security.
OUR STAFF ARTIST’S ADVICE
“I was in Bologna and kicked myself for not taking the Rembrandt Retractable Brushes!” says Heather from Soho. “Small and affordable, they were perfect for painting on the go – especially if you prefer to paint with a natural hair rather than the synthetic brushes.”
“This year I am going to South Italy and Israel. For both destinations I need to take a flight so lightweight and portable art materials are my thing.” says Aurora in Soho. “For the past two years I have been travelling with a standard size watercolour set and I have always noticed how much heavier my overall luggage is because of my full size equipment. This year, I bought the Cass Art Watercolour Quarter Pan Set with sketchbook bundle, and I am absolutely amazed at the quality of the paint!
The quality choice of pigments such as Cadmiums, Cobalt, Viridian and Quinacridone and the little brush make it a must have for me. I can already feel the bliss of being with my friend by the River Jordan, holding my slim watercolour set under the sun.”
Winsor & Newton offer a diverse range of watercolour markers and watercolour sticks as a great alternative for taking artist quality pigments on the go. Plus, these will not register as liquids when passing through airport security, so are perfect addition for those trips abroad.
Derwent Pencil Wrap
Pen wraps make organising your essential materials a simple process, whilst saving space in your bag. The elastic tags expand to fit an array of different materials, from brushes and pens to pastels and charcoal. The range of different compartments lets you take the vital parts of your studio away with you, whilst keeping your colours separate. As the wrap tightly holds your materials, it also reduces the risk of breakage in transport.
Painting in plein air can be a challenge, especially when the comforts of your studio are left behind. The Jullian Sketch Box Travel Easel is light and easily dismantled, with a free carry bag to make transporting from A to B a smoother ride. The Jakar Easel with Telescopic Legs lets you adjust your easel to suit your surroundings. Whether you’re on rocky moors or a sandy hilltop, this easel can adjust to suit any situation.
Water brush pens are perfect for on the go watercolour and ink work. Fill up the handle with a small amount of water and apply directly to your palette or drawing. No more balancing pots of water. You can create washes by gently squeezing more water through the brush.
TOP TIPS FOR TRAVELLING LIGHT
Try soaking a small cloth with some turps and sealing it in a zip lock bag to clean your brushes on the go. This will remove the majority of the paint until you get home, saving your brushes from being ruined by dried paint.
Consider taking preparatory sketches and drawings to revisit when you return home.
Ask yourself, do I really need it? Can this be worked in more detail when I get home? Chances are the essentials will be enough to help you capture your scenes on the go.
Winner Richard Allen on set of Sky Arts Landscape Artist of the Year 2016
PREPARE WITH ARTIST TIPS
“My tip is to pack all three basic colours and then maybe three more that you really like, which should be enough to start with (especially since it also means they can be mixed).”
Artist, illustrator and designer Felix Scheinberger challenges you to take your watercolours on-the-go and refresh your approach to capturing urban scenes. ‘Urban Watercolour Sketching’ offers tips and techniques to help you capture the moments around you with colour confidence. Find out more about Felix’s approach to watercolour in our exclusive interview: Storytelling in Colour: with Felix Scheinberger.
“I have a very tiny box of half pan watercolour paints which I use for everything – even quite large works, and I keep the same colours in my watercolour and oil selection which is very tight – two blues, two reds, two yellows, golden ochre, burnt umber and cadmium orange.”
Kim Whitby, Semi-Finalist of Sky Arts Landscape Artist of the Year 2016 uses her Moleskine sketchbooks to capture on-the-go watercolours, before bringing them back to the studio to experiment with scale. Explore more about her practice and how she prepared for painting on-set outside for LAOTY in her exclusive interview.
NB These are not the dates that were originally published (The old dates clashed with half terms)
November 5th, 6th and 7th
10.00am – 4.00pm
At the Studio, Riverside Cottage, Bransbury
On this three day course you will start with a life model, drawing for reference and information. Using very rapid sculptural techniques you will construct 3D models from your drawings using paper mâché, tape, wood, and probably wire, and anything else that seems appropriate. When you start to ‘draw’ the model in 3D different information is needed – this adds to the interesting step from straight forward life drawing to sculpture.
The sculpture will become the model for your drawing and painting over the rest of the course.
This method opens your imagination to adapting the model. It sounds a bit weird and creepy – and why not? The models can take you way beyond masks, or even catrinas as seen below. The resulting drawings and paintings have an observed reality. It should be an exciting few days.
Coffee, tea, biscuits and a light lunch will be provided each day.
Some materials will be provided but you will be encouraged to use/recycle old drawings and paintings as well as other dry waste materials (egg cartons, loo roll holder, boxes, posters…who knows)
Sewing and knitting have ‘stitch and bitch’… this is the drawing version, without the niceness.
It has become a regular fixture on alternate Thursdays. Pick morning or afternoon sessions. There is a limited amount of space so there will be a max of 7 per class.
Drawing is a skill; it requires practise, guidance and encouragement, adventure and more practise. In this class you will be taught about materials, different techniques and, very importantly, you will learn how to look.
This is a class that is appropriate for all abilities.
You may not have picked up a pencil for a long time, or you might attend a regular, weekly class. The idea of this class, and others that will follow, is to extend yourself, try something new, revisit something old and to remind yourself that drawing is exciting.
Painting, Painting, Painting
Sept 27th, October 25th, November 8th, 22nd, December 6th
£60 for whole day (£275 for 5)
Ramshill, Easton Common Hill, East Winterslow
10am – 4.00 pm
This will be a relaxed day with a different theme to each class including mark making, cloth, glass, reflective surfaces, shape and tone – normal stuff. You can work in any media.
The guiding ethos will be about making your work exciting, and interesting.
It hope this will become a regular fixture on alternate Thursdays. They will be full day sessions. There is a limited amount of space so there will be a max of 6 per class.
Open Drawing and Painting Classes at Ramshill, East Winterslow
June 14, 21, 28
July 5, 12
August 2,9,16,23, and 30
Everyone has complicated commitments over the summer months; Drawing and Painting classes don’t always find a place on ‘to do’ lists.
This summer I plan to hold an open regular class on Thursdays. It will be quite casual with drawing, painting and general free for all encouraged.
There won’t be separate afternoon sessions – you buy a day and turn up anytime between 10.00 and closing time at 16.00. If you opt for all 10 sessions it will be £350 for the summer. If you opt for individual days, which you need to specify, it will be £50/day. Priority will be given to those that book for the full summer.
FIRST COME FIRST SERVE
I will provide coffee, tea and biscuits as usual, advice to those that want it, drawing exercises at 10.00, and a general theme/plan for the day.
If you are interested, or want to find out more click on Kate Measham
What could be more lovely than to sit by a river, painting and drawing? Rivers are moving and changing all the time so what could be more frustrating?
Learn through experiments and new techniques how to find your own approach to capturing a river, and how to overcome these frustrations.
The beautiful chalk stream that runs through the villages of Barton Stacey and Newton Stacey is the River Dever. Its glories inspire fishermen, poets and artists alike. The Riverside Cottage studio is set amongst trees by the river and will be our base for the day’s workshop.
You will spend a morning by the river exploring different drawing techniques. To help capture an image you will be looking at Van Gogh’s mark making and experimenting with marks of your own. Working in charcoal, pencil, ink and graphite you will try to capture something of the magic of the river and its environment.
After a delicious lunch in the Riverside Cottage you will use the morning’s drawings to work towards a painting. Any media welcome. If you need assistance that is not a problem.
All Too Human celebrates the painters in Britain who strove to represent human figures, their relationships and surroundings in the most intimate of ways.
It features artists including Lucian Freud and Francis Bacon alongside rarely seen work from their contemporaries including Frank Auerbach and Paula Rego. Many of them lived or live in London, drawn to the multicultural capital from around the world. Three important works by Francis Bacon will be shown in the UK for the first time in at least three decades.
I want the paint to work as flesh does.
Lucian Freud, 2009
The exhibition also shows how this spirit in painting was fostered by the previous generation, from Walter Sickert to David Bomberg, and how contemporary artists continue to express the tangible reality of life through paint.
[I want to portray the] sensation of a page torn from the book of life
Walter Sickert, 1910
Works by Leon Kossoff, Euan Uglow, Kitaj, Jenny Saville and others, show how different individuals get to grips with their own existence.
This is an ongoing class that anyone can join, no matter how experienced an artist. You will be looking at many different aspects of drawing from classic drawing exercises to experimental explorations. It is always exciting, and always challenging.
Painting, Painting, Painting
April 12th, 26th and May 10th and 24th
10.00 – 4.00
£220 for whole term
As with Drawing, Drawing Drawing this is an ongoing class that anyone can join, no matter how experienced. You will look at various different aspects of painting, mark making, colour theory etc. Each week is a new challenge. It does not matter what media you wish to use.