Category Archives: oil painting

Sarah Spackman

A Closer Look at Colour

23rdand 24thNovember, 2019

From 10.00 to 16.30

at the Studio, Bransbury, Nr Winchester, SO21 3QJ

£320/2 day course, to include a light lunch each day

Sarah Spackman is a contemporary figurative artist well known for her still-life paintings. The Josie Eastwood Gallery regularly shows her work. It is in many private collections and a number of paintings are part of the contemporary art collection of the AIB Bank.

For more information about Sarah and her work see www.sarahspackman.com

This course is open to anyone who would like to learn about, or to improve their colour mixing skills. 

Using oil paints, you will look at how colours are created, and what effect they have on each other in a painting. Every artist should make their own colour wheel and you will start by making wheels and looking at how colours are mixed. Then, working from a simple still-life set up, you will mix a large variety of colours and look at the difference between them and how they interact. 

Experience is not necessary, just a large palette to give plenty of space in which to mix paint. 

You will need to bring the following: 

Oil Paints:  Titanium White, Lemon Yellow, Cadmium Yellow, Yellow Ochre, Raw Sienna, Cadmium Red, Alizarin Crimson, Viridian, Cerulean Blue, Cobalt Blue, Ultramarine, Raw Umber 

A flexible palette knife, 
A large palette, 
2 oil painting brushes of different sizes (eg. 2 and 4), 2 jam jars, 
Low odour solvent eg Sansodor,


Lots of rags (very important!) 

2 small boards or canvases e.g.. 25x30cm or thereabouts, 

Still-life materials will be provided. 

To book a place on this course please contact kate@artdrawpaint.com, or  call: 01980 863155

Beginners Oil Painting

  • 11th and 18th June, 2019, 10.00 – 4.00
  • £190/person to include all materials

There is a mystique about painting with oils. Don’t let this put you off. Oil paints are fun, vibrant and very forgiving – have a play with them.

On this course I will provide the materials; you can start to accumulate your own once you know what you like to use. I will help you to find the materials to suit your needs.

Pictured below is sweet shop made real…you will need considerably less to get started. To start with this set would be like learning to drive in an Aston Martin.

Old holland

You will start by looking at tone, at first using charcoal then rapidly progressing to Oils. It will be in a fun and supportive atmosphere, though possibly a bit messy.

Bring an apron, rags and a jam jar, and a willingness to have a go.

Summer Classes

There are a number of classes over the summer, some regular classes, and some new. Please contact me if you want to know more.

Class List

More information about the Evening with Nick Bashall to follow shortly.

There will be more classes that arise at different times over the next few months so keep an eye on the art draw paint website.


If you haven’t been to the Studio at Bransbury come and visit us in August during the Hampshire Open Studios fortnight. There will be more information nearer the time.

Casa Rosa, Spring 2019

It is cooler in England than Andalucia at this time of year. Last week Casa Rosa (http://www.casarosaestate.eu) was at its most delightful. Irises were in flower, citrus trees laden with both fruit and blossom, and the scent of jasmine in the warm evening air.

Radish (https://www.rad-ish.co.uk), the name Jessica Tatham cooks under, is a modest name for someone who produces wave after wave of delicious, healthy and unusual food. There were endless requests for recipes, and for top-ups of the evening cocktails. Lemon, rosemary and gin was my favourite – I can’t remember if anything else was in it.

Jessica’s food was beautiful. Sadly I was unable to wait long enough to take a photograph before eating it. PLEASE look at her website to get an idea of the food she produced.

Those on the Spring course worked hard producing large volumes of interesting work. Everyone was thrown into a variety of exercises. The work involved painting using complementary colours, a glance at notan, wax resist in mark making, and mixed media as a quick approach to experimental composition. Somehow there was energy left for tennis, walks and occasional specialist Bananagram. On Tuesday we drew Marta, our young flamenco dancer. The Sunday walk was to lunch at a farm in the hills above Periana.

We will be back at Casa Rosa for an Autumn art week from Sunday 29th September to Sunday 6th October, 2019. Have a look at last year’s Autumn art week for inspiration https://artdrawpaint.com/2018/10/20/our-andalucian-autumn/


Drawing, Painting, Drawing, Painting, Drawing, Painting.


These classes will be held at: The Studio, Bransbury, Nr Barton Stacey, SO21 3QJ

  • Drawing will be mornings only, 10.00am – 1.00pm £40/morning
  • Painting will be all day, 10.00am – 4.00pm £80/day
  • 10% discount if you book all classes (6 classes) and pay up front
Charcoal…almost painting, almost drawing

Regular drawing and painting is the best way to learn and to improve.

Here are six classes. On alternate weeks there are drawing and painting classes…always on a Thursday.

These are all stand alone classes so if you can’t do one or two don’t worry.

As far as possible, the painting class will paint a Still Life that was drawn in the previous drawing class. So if you are doing both classes this will help to familiarise you with the still life.

You can still come to the painting class if you weren’t at the drawing class, and you don’t have to come to painting classes if you only want to draw. You decide what YOU want to do.

  • Thursday, 6th June – Drawing
  • Thursday, 13th June – Painting
  • Thursday, 18th July – Drawing
  • Thursday, 25th July – Painting
  • Thursday, 1st August – Drawing
  • Thursday, 8th August – Painting

Oil Painting for Beginners II (Colour)

Three Classes, Three Different Approaches to Colour

Feb 16th, 23rd and March 2nd.

10.00am – 1.00pm

£165/3, or £65/session


At Ramshill, Easton Common Hill, East Winterslow, SP5 1QF


If you have done the Beginners Oil Painting class the question is what to do next. On this course you will start to look at colour.

Colour is a huge topic. You will start by looking at three different approaches: at painting with a limited palette, alla prima and a variation of ‘on the shoulders of giants’.

Sometimes limitations are liberating, sometimes total freedom is exciting, and sometimes exploring the work of other artists shows you a new path. You will see that you are the master of your painting and you can paint any way you want…with a bit of practise.

I will suggest a list of equipment. There will be essentials, and others, less essential you might feel inclined to add to you supplies.

For more information please contact me, kate@artdrawpaint.com

Painting, Painting, Painting – First Painting Class of the new term

Painting, Painting, Painting

 

We need the rain – the grass by the studio is still bald in places…but the wonderful September evenings have been a joy.

As autumn sets in (slightly) thoughts turn to other things.  It is a time for trying something new, or returning to old pleasures. If you haven’t painted for ages, you are a bit uncertain, or you just want a fresh take on what to do next come and join this bi-weekly class.

For more information contact me Kate Measham

Old holland

Sept 27th, October 25th, November 8th, 22nd, December 6th

£60 for whole day (£275 for 5)

Ramshill, Easton Common Hill, East Winterslow

10am – 4.00 pm

This will be a relaxed day with a different theme to each class including mark making,  cloth, glass, reflective surfaces, shape and tone – normal stuff.  You can work in any media.

The guiding ethos will be about making your work exciting, and interesting.

It hope this will become a regular fixture on  alternate Thursdays.  They will be full day  sessions. There is a limited amount of space so there will be a max of 6 per class.

 

CASS Art travel Tips how NOT to overpack

Cass Art shops are full of helpful, experienced artists who can guide you towards delicious bits and pieces of equipment. When it comes to packing for a holiday what do you take with you? Clearly you can not take everything. Below is part of the CASS Art Blog. For more go to their website.

I thought the bit about being Airport Savvy was particularly useful.

HOW TO PAINT ON THE GO: OUR TRAVEL TIPS & TECHNIQUES

in How To by Cass Art

How to Paint on the Go: Our Travel Tips & Techniques

‘Windmill’ by Kim Whitby, Semi-Finalist of Sky Arts Landscape Artist of the Year 2016

Packing light is every artist’s nightmare. Whether you’re painting in plein air or planning an urban sketching tour, it can be a little overwhelming when it comes to narrowing down the essentials for a trip. With your studio host to hundreds of materials at your fingertips, where do you begin? We asked our staff artists about their must have materials and their top tips and techniques for taking your practice on the go.

LIMIT YOUR PALETTE


Reducing your palette is first trick to travelling light. A core range of colours can be used to create a spectrum of different shades. Try limiting your choice of palette to six essential pigments, such Alizarin Crimson, Burnt Umber, Cadmium Yellow, Terre Verde or Sap Green, Ultramarine and Titanium White. Using an artist quality paint loaded with pigment will ensure the colours don’t muddy, and your hand-mixed shades will remain bold and rich in colour.

Whether you’re painting or drawing on the move, most brands offer sets tailored to plein air, landscape or portraiture themes, helping you limit your colours to just the essentials. Michael Harding Plein Air Set offers a selection perfect for outdoor painters whilst the Sennelier Landscape Set offers oil pastel artists a selection of earthy pigments.

If you’re looking to capture a portrait on the move, Unison Soft Pastel Portrait Set offers a selection of light pinks to rich browns, whilst Winsor & Newton Skin Tones Set offers a blendable range of colours to help you achieve the perfect skin tone.

BE AIRPORT SAVVY


There is nothing worse than having hundreds of pounds worth of art materials confiscated at the airport security desks. Explore our top tips for taking your materials abroad and make security a stress free experience.

1) If you’re travelling hand luggage only at the airport, remember that all liquids in your hand luggage must be below 100ml and in a clear, zip lock bag. This includes all toiletries, creams and gels and is limited to a maximum of 15 items per person. Tubes of paint, inks, mediums and gels all count towards this restriction.

2) If you’re planning a big painting trip, artist paints are permitted, providing they are not lead based. To be on the safe side, check a bag into the hold to avoid disappointment when travelling through security.

3) Be mindful of the materials you are packing. Hazardous or flammable liquids are not allowed, so leave your brush cleaners and turps at home.

4) It may not seem like a dangerous item, but some materials can fall under the sharps and tools category. Ensure all lino cutting tools, palette knives, scalpels and scissors are all checked into your hold luggage to ensure they aren’t disposed of at security.

 

OUR STAFF ARTIST’S ADVICE


“I was in Bologna and kicked myself for not taking the Rembrandt Retractable Brushes!” says Heather from Soho. “Small and affordable, they were perfect for painting on the go – especially if you prefer to paint with a natural hair rather than the synthetic brushes.”

“This year I am going to South Italy and Israel. For both destinations I need to take a flight so lightweight and portable art materials are my thing.” says Aurora in Soho. “For the past two years I have been travelling with a standard size watercolour set and I have always noticed how much heavier my overall luggage is because of my full size equipment. This year, I bought the Cass Art Watercolour Quarter Pan Set with sketchbook bundle, and I am absolutely amazed at the quality of the paint!

The quality choice of pigments such as Cadmiums, Cobalt, Viridian and Quinacridone and the little brush make it a must have for me. I can already feel the bliss of being with my friend by the River Jordan, holding my slim watercolour set under the sun.”

“Plus, there are a range of sets that combine everything you need. The Winsor & Newton Professional Watercolour Field Boxhas everything you need to set up a mini watercolour studio on-the-go.”

YOUR TRAVEL TOOLKIT


Winsor & Newton offer a diverse range of watercolour markers and watercolour sticks as a great alternative for taking artist quality pigments on the go. Plus, these will not register as liquids when passing through airport security, so are perfect addition for those trips abroad.

Derwent Pencil Wrap

Pen wraps make organising your essential materials a simple process, whilst saving space in your bag. The elastic tags expand to fit an array of different materials, from brushes and pens to pastels and charcoal. The range of different compartments lets you take the vital parts of your studio away with you, whilst keeping your colours separate. As the wrap tightly holds your materials, it also reduces the risk of breakage in transport.

Painting in plein air can be a challenge, especially when the comforts of your studio are left behind. The Jullian Sketch Box Travel Easel is light and easily dismantled, with a free carry bag to make transporting from A to B a smoother ride. The Jakar Easel with Telescopic Legs lets you adjust your easel to suit your surroundings. Whether you’re on rocky moors or a sandy hilltop, this easel can adjust to suit any situation.

Water brush pens are perfect for on the go watercolour and ink work. Fill up the handle with a small amount of water and apply directly to your palette or drawing. No more balancing pots of water. You can create washes by gently squeezing more water through the brush.

 

TOP TIPS FOR TRAVELLING LIGHT


Try soaking a small cloth with some turps and sealing it in a zip lock bag to clean your brushes on the go. This will remove the majority of the paint until you get home, saving your brushes from being ruined by dried paint.

Consider taking preparatory sketches and drawings to revisit when you return home.

Ask yourself, do I really need it? Can this be worked in more detail when I get home? Chances are the essentials will be enough to help you capture your scenes on the go.

Winner Richard Allen on set of Sky Arts Landscape Artist of the Year 2016

 

PREPARE WITH ARTIST TIPS


“My tip is to pack all three basic colours and then maybe three more that you really like, which should be enough to start with (especially since it also means they can be mixed).”

Artist, illustrator and designer Felix Scheinberger challenges you to take your watercolours on-the-go and refresh your approach to capturing urban scenes. ‘Urban Watercolour Sketching’ offers tips and techniques to help you capture the moments around you with colour confidence. Find out more about Felix’s approach to watercolour in our exclusive interview: Storytelling in Colour: with Felix Scheinberger.

“I have a very tiny box of half pan watercolour paints which I use for everything – even quite large works, and I keep the same colours in my watercolour and oil selection which is very tight – two blues, two reds, two yellows, golden ochre, burnt umber and cadmium orange.”

Kim Whitby, Semi-Finalist of Sky Arts Landscape Artist of the Year 2016 uses her Moleskine sketchbooks to capture on-the-go watercolours, before bringing them back to the studio to experiment with scale. Explore more about her practice and how she prepared for painting on-set outside for LAOTY in her exclusive interview.

Beginners Oil Painting, January 2019

This is a Saturday course designed for those of you who have never painted with oils, or are very rusty.

I will provide the materials – you can start to accumulate your own once you know what you like to use. Picture below is sweet shop made real…you will need considerably less to get started. To start with this set would be like learning to drive in an Aston Martin.

Old holland

You will start with looking at tone and becoming used to working with oils. It will be in a fun and supportive atmosphere, though possibly a bit messy.

The boring bits

10am – 1.00pm

Saturdays 12th and 19th and 26th January, 201

£165/3 sessions

Materials, tea and coffee included

This course will be held at Ramshill, East Winterslow, SP5 1QF

If you want to know more about this course please contact me Kate Measham