Category Archives: cezanne

Checking on your New Year’s Resolutions


I am very keen on the National Art Pass

The Art Fund is well worth looking at. If you become a member you help to fund purchases, restorations and other good things. On top of that you get a National Art Pass that gets you into galleries for free or half price.  Art Fund

The article below about New Year’s Resolutions was on the Art Fund website at the beginning of the year. Midsummer’s Day is any minute so I thought I’d remind myself about what they suggested as ‘arty’ resolutions.


Keep your resolutions with advice from these five artists

Be more productive, more perceptive, more curious about the world. What are your New Year’s resolutions? These quotes from five inspirational artists offer words of wisdom to help kickstart your 2018.

1. Pablo Picasso’s productivity

Talk about making the most of a year; for Pablo Picasso, 1932 was a frenzy of creation, with the artist making more than 100 paintings, sculptures and works on paper in the space of just a few months.

Whatever your New Year’s resolutions, this prolific period in Picasso’s life is testament to what can be achieved with dedication and application – and how everything can change in as little as a year.

As he once famously said: ‘Inspiration exists, but it has to find you working.’

Opening in 2018, Picasso 1932: Love, Fame Tragedy at Tate Modern explores Picasso’s ‘year of wonders’, when he completed many of his major works – including three portraits of his lover, Marie-Thérèse Walter, produced in a five-day window.

2. Claude Monet’s observation

Claude Monet used similar motifs throughout his work – lily pads, flowers, water, haystacks – all depicted in his distinct, highly perceptive style, capturing the effects of natural light through broken colour and diffuse brushstrokes.

His approach is a lesson in the power of observation, and taking time to appreciate the scene around you.

As Monet once put it: ‘Paint what you really see, not what you think you ought to see.’

3. Tacita Dean’s curiosity

Working primarily in film, contemporary artist Tacita Dean has travelled the world – from Bodmin Moor in England to the vast lands of Wyoming in the American West – discovering detail we all too often ignore.

‘You go places, and you want to make something as a result of that,’ she says.

Dean’s attentiveness to place serves as a reminder to engage with our environment, to immerse ourselves in the moment and to listen to the stories of the land.

An upcoming exhibition at the Royal Academy, Tacita Dean: Landscape, illustrates her restless quest to document the world around us, at a time when it truly requires our attention.

4. Bridget Riley’s perception

Vivid colours and patterns create movement in Bridget Riley’s Op art paintings. The optical effect of curving elements and diagonal lines encourages you to see and think differently. A new outlook for 2018?

As Bridget Riley said: ‘Perception is the medium.’

Challenge your perceptions at Southampton City Art Gallery by viewing Riley’s Red Movement which was Art Funded in 2005.

5. Paul Cézanne’s emotion

Often termed the ‘father’ of modern art, Paul Cézanne was a pioneer in the way he combined formal experimentation with an intensely emotional, humane approach to his subjects.

Downcast eyes, raised eyebrows and pensive smiles: Cézanne’s portraits are laden with feeling, and the moods of the painter often seem as visible in his images as those of his sitters.

As the artist once said: ‘A work of art which did not begin in emotion is not art.’

Bonus: Winnie-the-Pooh’s open heart

Okay, so Pooh Bear is not an artist – but he is an icon thanks to author AA Milne and illustrator EH Shepard. This year, in what can sometimes feel like an increasingly divided world, his infectious sense of wonder – and fabled, unflagging kindness – might just offer the example we need.

After all, we could do worse than take a leaf out of Pooh’s book and remember, ‘A little consideration, a little thought for others, makes all the difference.’

See Eeyore, Piglet, Tigger and more at Winnie-the-Pooh: Exploring a Classic at the V&A, and discover how one small bear has had such an enduring influence on popular culture.

With a National Art Pass you don’t need to choose. See art across the UK with free entry to 240 museums and galleries and 50% off entry to major exhibitions.

All I want for Christmas…Advent Calendar of Essentials (!)


Advent calendars covered with glitter, or rattling with chocolates, are almost the best bit of Christmas. The tantalising countdown to the day itself raises expectations to a ridiculous degree.

My calendar is a shortish list of all sorts of mostly arty things that would be very nice to have in a stocking, under a tree, wrapped with a bow, sealed with a kiss.

 


Paul_Cézanne,_1888-90,_Madame_Cézanne_(Hortense_Fiquet,_1850–1922)_in_a_Red_Dress,_oil_on_canvas,_116.5_x_89.5_cm,_The_Metropolitan_Museum_of_Art,_New_York

ONE

I went to this wonderful exhibition a couple of weeks ago – well worth a visit. I normally buy a catalogue but I was a bit pushed for time…

Cézanne Portraits at National Portrait Gallery

This major international exhibition brings together for the first time over fifty of Cézanne’s portraits from collections across the world, including works which have never been on public display in the UK.

Over a working life of some forty-five years, Cézanne made almost 1,000 paintings of which around 160 are portraits. The exhibition  considers the extent to which particular sitters shaped the development of his practise.

Number one


TWO  Number Two

017450300000 analinky

These are a product I use all the time – I get through endless sets.  What I REALLY want for Christmas is for Koh I Noor to make these with big pans of colour so I can use a bigger brush.


THREE

Number Three

The Art Fund

As a child I thought book tokens were a bit of a cop out – a lazy present turning good money into less good money; membership to the Art Fund is the very opposite. This allows the member to have access free, or at reduced rates to galleries all over the country AND the Art fund supports artists and museums.

For over 110 years they have supported museums and galleries, and helped them to buy and display great works of art for everyone to enjoy.

The Art Fund helps museums and galleries in a number of ways:

  • Providing museums and curators with funding for: acquisitions; training and development; and the display of art through tours and exhibitions.
  • Running public appeals when a particular work of art is under threat; for example, in 2014 we ran a successful campaign to save one of the most important industrial archives in the world, the Wedgwood Collection, which documents the evolution of ceramics design over 250 years. Recently we also led a successful appeal with the National Portrait Gallery to save Van Dyck’s final self-portrait for the nation. In recent years we have run several major appeals, raising £45m to save works of art or collections.
  • Promoting hundreds of UK museums and galleries through the National Art Pass, the Art Guide app and more.

FOUR

ERF5001940 encaustic

Number Four

I love to try new things – who doesn’t? I use wax crayons and wax resist techniques all the time so this encaustic beginners set seems to be the logical next step.

 

 

 


FIVE

p-jasshiro brushes

 

Number Five
Just can’t have too many…

 

 

 

 


SIX

Number Sixapron

A good apron is hard to find.  Some people turn up to classes in full body overalls – not a bad idea.  I rather like this, less drastic option.

 

 

 

 


SEVEN

2135615

Number Seven

No list is complete without chocolate.

I don’t know anyone else who likes these so it looks like I get the whole box to myself.


EIGHT

Number Eight

This is TOTALLY ridiculous as half the pleasure of painting is choosing the materials…BUT… it is a very tasty set of delicious paints.

Old holland


NINE

Number Nine

These two Van Gogh paintings of blossom, together with Bonnard’s painting of an Almond Tree, make me yearn for a show of spring flowers.


TEN

Number Ten

Lino printing is occasionally forgotten…dismissed as a school pleasure and rather junior. Now is the time to revisit relief printing. Speedy Carve have a  rubbery material that is very easy to use. Lawrence Printmakers have everything you need for any sort of printing; their beginners kit will use high quality materials. Pfeil tools are the BEST.


I forgot to mention cashmere bed socks.  Get the best you can afford and have a warm and Happy Christmas.

Still life in the Still Life


Still Life should NEVER be boring

One of the principal genres (subject types) of Western art – essentially, the subject matter of a still life painting or sculpture is anything that does not move or is dead. Tate website

The Still Life is a place to play with ideas, experiment with materials, try new compositions, most importantly, to take your work forward. Still life gives the artist more freedom in the arrangement of elements within a composition than do paintings of any other types of subjects.

There are a few classes left this term to try new things, play with old ones and to put your own stamp on the genre.

Each class is £45/ea, or £120 for 3. Please contact kate@artdrawpaint.com for more information.

Cezanne does Still LifeCézanne,_Paul_-_Still_Life_with_a_Curtain.jpg

15th November, 9.30am – 12.45pm

Cezanne found in Still Life a vehicle for his revolutionary explorations in geometric spatial organization. For Cézanne, still life was a primary means of taking painting away from an illustrative or mimetic function to one demonstrating  the elements of color, form, and line – a major step towards Abstract art.

You will look at Cezanne’s Still Life, with a fresh version in the studio, learn from his approach and bend it to your will.

 

henri_matisse_mah002

Colour as it Isn’t

22nd November, 9.30am – 12.45pm

Today is all about colour; why stick with a dull copy of the objects in front of you when you can do so much more? You will be playing with the idea of restricted palettes and full on, full blast, sock-it-to-the-Fauves bright and wild palette. See what suits you.

Throw Everything at It

29th November, 9.30am – 12.45pm

Rather a clumsy title but gives some indication of  the mixed media, multi media approach of contemporary practise. During the 20th and 21st century, the notion of the still life has been extended beyond the traditional two dimensional art forms of painting into video art and three dimensional art forms such as sculpture, performance and installation. Some mixed media still-life works employ found objects, photography, video, and sound, and even spill out from ceiling to floor and fill an entire room in a gallery.

You will be restricted by the size of the studio otherwise let your imagination run wild – something akin to Blue Peter on a sugar rush (?).

 

More to Still Life than Onions


Autumn Still Life Series at Wherwell Studio

I have had worried calls from various people to say they can’t do the whole course, but can I break it down into bite sized pieces. Hopefully these newly batched classes fit the bill. The dates are the same as previously advertised, and it is still based on Still Life, but these approaches can be applied to other form of creativity.

What, How Big and Where shall I put it?

£45/1 class, or £120/3 classes, 9.30am – 12.45pm

20th Sept. Learning to look – This is the basis of all drawing and painting and is surprisingly easy to ignore, especially when you think you ‘know’ an object. This class will show you various ways to trick you into seeing what is in front of you.

27th Sept. Size Matters – What size paper/canvas/board are you working towards? What size image? What about the space?  It is so easy to pick up the same old sketch book and do the same thing time and again. Let’s make it more interesting. In this class you will be encouraged to be creative about size.

4th Oct. Composition and Repetition – It is tempting to dive straight in to a picture, full of enthusiasm, and ignore the boring planning. Don’t ignore it – embrace it. You will have a look at different types of composition, play with a few, and then dive in with enthusiasm.

Contact me for more details and availability kate@artdrawpaint.com

Why is this in a Still Life?

£45/1 class, or £120/3 classes, 9.30am – 12.45pm

11th Oct. Narrative – Back to onions…There are lots of reasons to paint onions, but what are you trying to say? An onion, a kitchen knife, a cook book, and a soup bowl start to tell a story. A line of onions in various stages of being prepared tells a slightly different story. This class is all about what you want to say, and how to say it.

18th Oct. Everyday Items, Strange Compositions, Deviations – Let’s not be dull. This is a look at the ordinary and making it extraordinary.

8th Nov. Make it Personal – These are your paintings. What are you doing and why? How do you decide what to do next?

Contact me for more details and availability kate@artdrawpaint.com

Back to the Onions…

£45/1 class, or £120/3 classes, 9.30am – 12.45pm

15th Nov. Cezanne does Still Life –Pretty much what it says on the box. You will be using Cezanne as a guide and inspiration for an oniony Still Life.

22nd Nov. Colour as it isn’t – This class will look at restricted palettes, and imagined colour. In your pictures you can use WHATEVER colour you like, but this freedom isn’t examined as much as it should be.

29th Nov. Throw Everything at it – Dreadful title, but that is what some people think about mixed media. Some think of it as Blue Peter goes wild in the Early Learning Centre. This class is about an open approach, exploring different effects, playing with resists, glue, anything to hand.

Contact me for more details and availability kate@artdrawpaint.com

Christmas

£45/ class, or free if you have paid for all the other courses

6th Dec. A Christmas themed morning combining everything!

Autumn Art at the Studio, Wherwell Priory


Oil Painting for Beginners on Mondays

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19th, 26th,September, 3rd, 10th, 17th October

7th, 14th, 21st, 28th November, 5th December

9.30am – 1.00pm

The whole 10 week course £350,

If paid as two half terms, £195 each half.

Classes missed cannot be carried over.


This ten week course takes you from absolute beginner to being competent, confident, and independently able to use oil paints. You will start each day developing drawing skills that underpin many methods of painting. You will learn about tone, mark making, colour, some aspects of composition, and the different materials used to paint with oils.

19th September can be treated as a taster day to see if the course is right for you. This will cost £40 refundable against the rest of the course.

 Some materials are provided, but over the duration of the course you will be advised about what you need to get started. I don’t want to burden you with a huge expense before you have started.

Contact me for more details and availability kate@artdrawpaint.com


There’s more to Still Life than Onions…

Red Vegetables, oil, £

20th, 27th September, 4th, 11th, 18th October

8th, 15th, 22nd, 29th November, 6th December

The whole 10 week course £350,

If paid as two half terms, £195 each half.

Classes missed cannot be carried over


Still Life classes can be a bit dull.

The idea of this course is to have a look at a number of different creative approaches and apply these ideas to a Still Life.

Some of the things you will be looking at are: narrative paintings, size and composition, Cezanne’s approach to still life, strange compositions, playing with colour, found supports, repetition and deviation, making the everyday ‘special’ and making it personal. You will be encouraged to try fresh methods of doing things, and to play with new ideas.

It does not matter what materials you wish to use, these classes are about exposing you to different ideas. I will help you with any practical problems should they arise, so don’t let inexperience put you off. These classes should help you to find what you want to paint, and how you wish to do it.

20th September can be treated as a taster day to see if the course is right for you. This will cost £40 refundable against the rest of the course.

This class is appropriate for anyone, what ever materials they wish to use.   I will provide paper and charcoal for initial exercises. Other materials are up to you.

Contact me for more details and availability kate@artdrawpaint.com


Tea, coffee and biscuits are provided – ESSENTIALS.