Henry Lamb (1883-1960) stands amongst the most distinctive, talented but unjustly forgotten figurative painters of the early decades of the last century. The excellent Out of the Shadows exhibition at Salisbury Museum is the first major retrospective in over 30 years and aims to put Lamb back in the forefront of twentieth Century British art.
WELL WORTH A VISIT
The exhibition is on until 30th September, 2018.
Henry Lamb was one of the leading British figurative painters of the first part of the 20th century. He was also an accomplished musician, trained as a doctor and his friends described him as a well-read and erudite conversationalist. A close friend of Augustus John, patron of Stanley Spencer and friends with members of the Bloomsbury Group, he was a founder member of the Camden Town Group in 1911. Portraiture played an important role in his career as a painter, but his townscapes and landscapes as well as his early subject pictures of Ireland and Brittany and his work in both World Wars reveal him to be a painter of considerable range and talent. This exhibition is the first major retrospective of Henry Lamb’s work since 1984. Time then for him to emerge from the shadows…
The exhibition represents a partnership between The Salisbury Museum and Poole Museum and is co-curated by Harry Moore-Gwyn, an independent curator, dealer and writer on modern British art, whose previous shows have included Kenneth Rowntree (Pallant House Gallery, Chichester and Fry Art Gallery, Saffron Walden), Laurie Lee (Royal Geographical Society) and Walter Bonner Gash (Alfred East Gallery, Kettering).
The exhibition represents a partnership between The Salisbury Museum and Poole Museum under the umbrella of the Wessex Museums Partnership, supported by Arts Council England. Poole Museum, who will mount a similar Henry Lamb exhibition in 2019, are curating an exhibition about Augustus John in 2018, which comes to Salisbury in 2019. For full details of Poole Museum’s Augustus John: Drawn from Life exhibition 26 May – 30 September, 2018 please click here
Cass Art shops are full of helpful, experienced artists who can guide you towards delicious bits and pieces of equipment. When it comes to packing for a holiday what do you take with you? Clearly you can not take everything. Below is part of the CASS Art Blog. For more go to their website.
I thought the bit about being Airport Savvy was particularly useful.
HOW TO PAINT ON THE GO: OUR TRAVEL TIPS & TECHNIQUES
‘Windmill’ by Kim Whitby, Semi-Finalist of Sky Arts Landscape Artist of the Year 2016
Packing light is every artist’s nightmare. Whether you’re painting in plein air or planning an urban sketching tour, it can be a little overwhelming when it comes to narrowing down the essentials for a trip. With your studio host to hundreds of materials at your fingertips, where do you begin? We asked our staff artists about their must have materials and their top tips and techniques for taking your practice on the go.
LIMIT YOUR PALETTE
Reducing your palette is first trick to travelling light. A core range of colours can be used to create a spectrum of different shades. Try limiting your choice of palette to six essential pigments, such Alizarin Crimson, Burnt Umber, Cadmium Yellow, Terre Verde or Sap Green, Ultramarine and Titanium White. Using an artist quality paint loaded with pigment will ensure the colours don’t muddy, and your hand-mixed shades will remain bold and rich in colour.
Whether you’re painting or drawing on the move, most brands offer sets tailored to plein air, landscape or portraiture themes, helping you limit your colours to just the essentials. Michael Harding Plein Air Set offers a selection perfect for outdoor painters whilst the Sennelier Landscape Set offers oil pastel artists a selection of earthy pigments.
There is nothing worse than having hundreds of pounds worth of art materials confiscated at the airport security desks. Explore our top tips for taking your materials abroad and make security a stress free experience.
1) If you’re travelling hand luggage only at the airport, remember that all liquids in your hand luggage must be below 100ml and in a clear, zip lock bag. This includes all toiletries, creams and gels and is limited to a maximum of 15 items per person. Tubes of paint, inks, mediums and gels all count towards this restriction.
2) If you’re planning a big painting trip, artist paints are permitted, providing they are not lead based. To be on the safe side, check a bag into the hold to avoid disappointment when travelling through security.
3) Be mindful of the materials you are packing. Hazardous or flammable liquids are not allowed, so leave your brush cleaners and turps at home.
4) It may not seem like a dangerous item, but some materials can fall under the sharps and tools category. Ensure all lino cutting tools, palette knives, scalpels and scissors are all checked into your hold luggage to ensure they aren’t disposed of at security.
OUR STAFF ARTIST’S ADVICE
“I was in Bologna and kicked myself for not taking the Rembrandt Retractable Brushes!” says Heather from Soho. “Small and affordable, they were perfect for painting on the go – especially if you prefer to paint with a natural hair rather than the synthetic brushes.”
“This year I am going to South Italy and Israel. For both destinations I need to take a flight so lightweight and portable art materials are my thing.” says Aurora in Soho. “For the past two years I have been travelling with a standard size watercolour set and I have always noticed how much heavier my overall luggage is because of my full size equipment. This year, I bought the Cass Art Watercolour Quarter Pan Set with sketchbook bundle, and I am absolutely amazed at the quality of the paint!
The quality choice of pigments such as Cadmiums, Cobalt, Viridian and Quinacridone and the little brush make it a must have for me. I can already feel the bliss of being with my friend by the River Jordan, holding my slim watercolour set under the sun.”
Winsor & Newton offer a diverse range of watercolour markers and watercolour sticks as a great alternative for taking artist quality pigments on the go. Plus, these will not register as liquids when passing through airport security, so are perfect addition for those trips abroad.
Derwent Pencil Wrap
Pen wraps make organising your essential materials a simple process, whilst saving space in your bag. The elastic tags expand to fit an array of different materials, from brushes and pens to pastels and charcoal. The range of different compartments lets you take the vital parts of your studio away with you, whilst keeping your colours separate. As the wrap tightly holds your materials, it also reduces the risk of breakage in transport.
Painting in plein air can be a challenge, especially when the comforts of your studio are left behind. The Jullian Sketch Box Travel Easel is light and easily dismantled, with a free carry bag to make transporting from A to B a smoother ride. The Jakar Easel with Telescopic Legs lets you adjust your easel to suit your surroundings. Whether you’re on rocky moors or a sandy hilltop, this easel can adjust to suit any situation.
Water brush pens are perfect for on the go watercolour and ink work. Fill up the handle with a small amount of water and apply directly to your palette or drawing. No more balancing pots of water. You can create washes by gently squeezing more water through the brush.
TOP TIPS FOR TRAVELLING LIGHT
Try soaking a small cloth with some turps and sealing it in a zip lock bag to clean your brushes on the go. This will remove the majority of the paint until you get home, saving your brushes from being ruined by dried paint.
Consider taking preparatory sketches and drawings to revisit when you return home.
Ask yourself, do I really need it? Can this be worked in more detail when I get home? Chances are the essentials will be enough to help you capture your scenes on the go.
Winner Richard Allen on set of Sky Arts Landscape Artist of the Year 2016
PREPARE WITH ARTIST TIPS
“My tip is to pack all three basic colours and then maybe three more that you really like, which should be enough to start with (especially since it also means they can be mixed).”
Artist, illustrator and designer Felix Scheinberger challenges you to take your watercolours on-the-go and refresh your approach to capturing urban scenes. ‘Urban Watercolour Sketching’ offers tips and techniques to help you capture the moments around you with colour confidence. Find out more about Felix’s approach to watercolour in our exclusive interview: Storytelling in Colour: with Felix Scheinberger.
“I have a very tiny box of half pan watercolour paints which I use for everything – even quite large works, and I keep the same colours in my watercolour and oil selection which is very tight – two blues, two reds, two yellows, golden ochre, burnt umber and cadmium orange.”
Kim Whitby, Semi-Finalist of Sky Arts Landscape Artist of the Year 2016 uses her Moleskine sketchbooks to capture on-the-go watercolours, before bringing them back to the studio to experiment with scale. Explore more about her practice and how she prepared for painting on-set outside for LAOTY in her exclusive interview.
This is a Saturday course designed for those of you who have never painted with oils, or are very rusty.
I will provide the materials – you can start to accumulate your own once you know what you like to use. Picture below is sweet shop made real…you will need considerably less to get started. To start with this set would be like learning to drive in an Aston Martin.
You will start with looking at tone and becoming used to working with oils. It will be in a fun and supportive atmosphere, though possibly a bit messy.
The boring bits
10am – 1.00pm
Saturdays 20th and 27th October, and 3rd November, 2018
Materials, tea and coffee included
If you want to know more about this course please contact me Kate Measham
Sewing and knitting have ‘stitch and bitch’… this is the drawing version, without the niceness.
It has become a regular fixture on alternate Thursdays. Pick morning or afternoon sessions. There is a limited amount of space so there will be a max of 7 per class.
Drawing is a skill; it requires practise, guidance and encouragement, adventure and more practise. In this class you will be taught about materials, different techniques and, very importantly, you will learn how to look.
This is a class that is appropriate for all abilities.
You may not have picked up a pencil for a long time, or you might attend a regular, weekly class. The idea of this class, and others that will follow, is to extend yourself, try something new, revisit something old and to remind yourself that drawing is exciting.
Painting, Painting, Painting
Sept 27th, October 25th, November 8th, 22nd, December 6th
£60 for whole day (£275 for 5)
Ramshill, Easton Common Hill, East Winterslow
10am – 4.00 pm
This will be a relaxed day with a different theme to each class including mark making, cloth, glass, reflective surfaces, shape and tone – normal stuff. You can work in any media.
The guiding ethos will be about making your work exciting, and interesting.
It hope this will become a regular fixture on alternate Thursdays. They will be full day sessions. There is a limited amount of space so there will be a max of 6 per class.
What could be more lovely than to sit by a river, painting and drawing? Rivers are moving and changing all the time so what could be more frustrating?
Learn through experiments and new techniques how to find your own approach to capturing a river, and how to overcome these frustrations.
The beautiful chalk stream that runs through the villages of Barton Stacey and Newton Stacey is the River Dever. Its glories inspire fishermen, poets and artists alike. The Riverside Cottage studio is set amongst trees by the river and will be our base for the day’s workshop.
You will spend a morning by the river exploring different drawing techniques. To help capture an image you will be looking at Van Gogh’s mark making and experimenting with marks of your own. Working in charcoal, pencil, ink and graphite you will try to capture something of the magic of the river and its environment.
After a delicious lunch in the Riverside Cottage you will use the morning’s drawings to work towards a painting. Any media welcome. If you need assistance that is not a problem.
£95 for the day, to include lunch and all materials,
Have you thought about having a go at art classes? at re-visiting drawing, or painting? or do you want to prepare for a bit of sketching on holiday? If the answer is ‘yes’ come to a Taster Day at Riverside Cottage.
In the morning you will experiment with drawing materials and drawing, followed by an afternoon of painting and throwing everything at it.
Drawing materials will include pencil, charcoal, chalk, ink, marker pens, wax crayons, calligraphy brushes, twigs, sponges…whatever we can squeeze in. There will be painting in the afternoon in a similar vein. This will be a busy and exciting day.
Riverside Cottage will provide a delicious, light lunch, coffee on arrival and cream tea when you are exhausted in the afternoon.
Bring a friend, send a sister, encourage anyone who needs a new adventure – no experience necessary, no equipment needed.
All materials will be provided – you just need to turn up and be prepared to have a go.
This is an ongoing class that anyone can join, no matter how experienced an artist. You will be looking at many different aspects of drawing from classic drawing exercises to experimental explorations. It is always exciting, and always challenging.
Painting, Painting, Painting
April 12th, 26th and May 10th and 24th
10.00 – 4.00
£220 for whole term
As with Drawing, Drawing Drawing this is an ongoing class that anyone can join, no matter how experienced. You will look at various different aspects of painting, mark making, colour theory etc. Each week is a new challenge. It does not matter what media you wish to use.
There is a mystique about painting with oils paints that needs to be shattered. In these classes you will learn, from scratch, the basic mechanics of painting with oils.
This is perfect for total beginners, people who know about watercolour but not oils, people who haven’t picked up a brush in a while, or those who have been given a lovely set of paints and don’t know what to do next.
….AND PERFECT AS A CHRISTMAS PRESENT
I will teach you the basic skills that you can start to build upon. I provide the materials needed for this early stage. If you wish you can join the follow on class Oil Painting for Beginners, II.
The Young Gallery and John Creasey Museum, Salisbury
Upstairs in the library in Salisbury are three gallery spaces with a collection of modern and contemporary works. Many are drawings, etchings and prints with some exciting paintings thrown in too.
The curator, Peter Riley, has a particular interest in mark making so there are some unusual and pleasing choices from well known artists such as Euan Uglow, Paula Rego, Keith Vaughan, John Bellany and others.
The galleries are well worth a look with new exhibitions planned for later in the year. Combine the outing with a morning at Roche Court for a rewarding day.