Tag Archives: abstract

The Drawing Course 2019


Drawing is where you start.

In 2019 we are embarking on a Drawing Course that you can approach as a whole, or pick and choose which parts suit you. Each month there are 5 days of courses. you can do all 25 days, or pick and choose what you fancy doing.

If you are uncertain you can try the introductory week and then book for the rest of the course. If you are unable to do the Introductory Week this does not mean you can’t take the rest of the course.

 Each class is a stand alone class.

In Brief – for more information click on the months

January 14th – 18th Introduction

  • Learning to look
  • Discovering materials
  • Composition
  • Expressive drawing
  • The Start of things to come

February 11th – 15th Expression, Line and Mark

  • Yoga and mindful life drawing
  • Expressive mark making, Van Gogh,  Cy Twombly and you
  • Music and movement

March 4th – 8th What is it, how big, and where does it go?

  • Learning to look
  • Size matters
  • Composition

No Drawing Week in April

May 13th – 17th On the shoulders of giants

  • Time and tide wait for no one
  • On the shoulders of giants

June 3rd – 7th  Are we nearly there yet?

  • Project Week

Pricing is designed to encourage students to commit to themselves and take on a demanding  course. 

  • Individual classes – £90/day. 
  • Complete course (25days) – £1,800 (20% reduction on daily rate)

Drawing is where you start.

The primary way to explore your environment and your emotional response to it can be through drawing.  Children  draw before they  write. Somewhere along the way we complicate matters, lose the pleasure of drawing, and its intuitive possibilities.

This course is designed to encourage you to find the pleasure in something that was once a natural response,  to be inquisitive and give you confidence in your abilities. Drawing is both straightforward and complicated.  Through drawing you can contemplate all the attributes of painting except the hue. It can be an end in itself, or a firm step towards other visual arts.

Starting in January with an introductory week this series of classes is designed to make you look at, and reconsider the many different aspects of a creative process. You will go from looking to seeing and understanding and, finally, towards interpreting your world.

leon kossoff kings cross

There will be aspects of this course that  feel firmly figurative; this is just a starting place. If you feel a more abstract or expressive approach would be a direction you wish to take this would be warmly encouraged.

Strictly speaking, the word abstract means to separate, or withdraw something from something else.

All students will discover their own area of interest and a visual language that works for them.  The mix of ideas and interests within a group, combined with discussion and research makes for a creatively fertile environment.

There are five weeks of classes, over five months with one concentrated week in the studio, or at another venue, per month. There will be an element of preparation and research between the months.  The more work put into the non-class time will result in a greater appreciation of the subject.

Pricing is designed to encourage students to commit to themselves and take on a demanding  course. 

  • Individual classes – £90/day. 
  • Complete course (25days) – £1,800 (20% reduction on daily rate)

All abilities are welcomed.

If you would like more information about the course or, about accommodation, please contact me, Kate Measham.

 I would like to have an exhibition of the work produced over the months.  At the moment we are looking at some time in June or July.

Tate  definition of Drawing

Drawing is essentially a technique in which images are depicted on a surface by making lines, though drawings can also contain tonal areas, washes and other non-linear marks

Thinking Aloud – experimenting with paint and colour


Tuesday 27th Feb and Tuesday 13th March, 10.00am – 4.00pm

£145/2 days

How can you take your painting forwards?

Do you get frustrated, and possibly a bit bored by your paintings?

How do you take a step sideways in order to move forwards? You know what you want to say, but not how you want to say it.  You may get tighter when you want to get looser, or looser when you want more control.

 

The more time you spend painting the more you know there are other things out there you can’t quite reach.

And what about abstraction? Different palettes? Different media? Supports? Intuition? And every other sort of variation on a theme.

FullSizeRender
untitled red 1

This course will be short, but exciting. It will encourage you to make mistakes, and to enjoy them, to play and learn. I’m not too worried about what media you want to use –  the idea is to experiment, play, discuss and try new things.

Each day will have a different theme and build on the previous day. You will be encouraged to do some research in between classes.

These two days will be more about the process of using paint and colour,  than about the destination.

IMG_3365
Azalea Garden, May 1956 – detail Patrick Heron

Thinking Aloud would be appropriate for more experienced artists.

For more information contact Kate Measham