Category Archives: creative

The Drawing Course 2019


Drawing is where you start.

In 2019 we are embarking on a Drawing Course that you can approach as a whole, or pick and choose which parts suit you. Each month there are 5 days of courses. you can do all 25 days, or pick and choose what you fancy doing.

If you are uncertain you can try the introductory week and then book for the rest of the course.

In Brief – for more information click on the months

January 14th – 18th Introduction

  • Learning to look
  • Discovering materials
  • Composition
  • Expressive drawing
  • The Start of things to come

February 11th – 15th Expression, Line and Mark

  • Yoga and mindful life drawing
  • Expressive mark making, Van Gogh,  Cy Twombly and you
  • Music and movement

March 4th – 8th What is it, how big, and where does it go?

  • Learning to look
  • Size matters
  • Composition

No Drawing Week in April

May 13th – 17th On the shoulders of giants

  • Time and tide wait for no one
  • On the shoulders of giants

June 3rd – 7th  Are we nearly there yet?

  • Project Week

Pricing is designed to encourage students to commit to themselves and take on a demanding  course. 

  • Individual classes – £90/day. 
  • Complete course (25days) – £1,800 (20% reduction on daily rate)

Drawing is where you start.

The primary way to explore your environment and your emotional response to it can be through drawing.  Children  draw before they  write. Somewhere along the way we complicate matters, lose the pleasure of drawing, and its intuitive possibilities.

This course is designed to encourage you to find the pleasure in something that was once a natural response,  to be inquisitive and give you confidence in your abilities. Drawing is both straightforward and complicated.  Through drawing you can contemplate all the attributes of painting except the hue. It can be an end in itself, or a firm step towards other visual arts.

Starting in January with an introductory week this series of classes is designed to make you look at, and reconsider the many different aspects of a creative process. You will go from looking to seeing and understanding and, finally, towards interpreting your world.

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There will be aspects of this course that  feel firmly figurative; this is just a starting place. If you feel a more abstract or expressive approach would be a direction you wish to take this would be warmly encouraged.

Strictly speaking, the word abstract means to separate, or withdraw something from something else.

All students will discover their own area of interest and a visual language that works for them.  The mix of ideas and interests within a group, combined with discussion and research makes for a creatively fertile environment.

There are five weeks of classes, over five months with one concentrated week in the studio, or at another venue, per month. There will be an element of preparation and research between the months.  The more work put into the non-class time will result in a greater appreciation of the subject.

Pricing is designed to encourage students to commit to themselves and take on a demanding  course. 

  • Individual classes – £90/day. 
  • Complete course (25days) – £1,800 (20% reduction on daily rate)

All abilities are welcomed.

If you would like more information about the course or, about accommodation, please contact me, Kate Measham.

 I would like to have an exhibition of the work produced over the months.  At the moment we are looking at some time in June or July.

Tate  definition of Drawing

Drawing is essentially a technique in which images are depicted on a surface by making lines, though drawings can also contain tonal areas, washes and other non-linear marks

Thinking Aloud – homework


Last week there was the first class in the Thinking Aloud course.

The group were given homework…Diary in a Sketchbook. There is nothing new in that – but it is a reminder to keep a visual diary.

Synonyms: journal, daybook, log, chronicle, hint at varieties of diaries.  Is a diary about the future, or the past? What is to come, or what happened? What you think will happen, or how you think some event unfolded? Who is/are the intended audience? Is it for sale? Sensational? A brief recording of time?

The task set was to write one sentence about something that has happened/may happen/will happen, and how you feel about it (e.g. 10.30, taking cat to the vet; anxious) Then add an image to the sentence that enhances what you have written (maybe a worn and empty cat collar).

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This extraordinary picture has nothing to do with my day, my pets or my life, but I couldn’t resist it. Almost makes me want a cat.

 

 

 

Thinking Aloud – experimenting with paint and colour


Tuesday 27th Feb and Tuesday 13th March, 10.00am – 4.00pm

£145/2 days

How can you take your painting forwards?

Do you get frustrated, and possibly a bit bored by your paintings?

How do you take a step sideways in order to move forwards? You know what you want to say, but not how you want to say it.  You may get tighter when you want to get looser, or looser when you want more control.

 

The more time you spend painting the more you know there are other things out there you can’t quite reach.

And what about abstraction? Different palettes? Different media? Supports? Intuition? And every other sort of variation on a theme.

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This course will be short, but exciting. It will encourage you to make mistakes, and to enjoy them, to play and learn. I’m not too worried about what media you want to use –  the idea is to experiment, play, discuss and try new things.

Each day will have a different theme and build on the previous day. You will be encouraged to do some research in between classes.

These two days will be more about the process of using paint and colour,  than about the destination.

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Azalea Garden, May 1956 – detail Patrick Heron

Thinking Aloud would be appropriate for more experienced artists.

For more information contact Kate Measham

Intrepid Artists


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Inventive Anti Rain Devices

Yesterday’s River Test outing was plagued from the start; it was meant to happen a month ago but bad weather and bad diary management meant it had to be postponed.  Yesterday we battled with rain, cattle, TB testing, postmen and equipment falling in the river amongst other excitements. During one downpour the chairs doubled up as umbrellas.

 

Next month (August)  the plan is to visit Mottisfont – if the weather  is as changeable we can retire to the tearooms.

River Test, The Journey Begins


AND WE START ON WEDNESDAY 11th January…

I have lived in, or near, the Test Valley for many years, and been married to a fly fisherman for even more.  This year I am going to record the river from as near to its source as I can manage, down to the tidal waters at Testwood,and the sea.

Along the way there will be a Facebook page with information and possibly the occasional picture. Keep an eye on instagram #rivertestsourcetosea – sorry…don’t know how to do a link.

Each month  a different area of the river will be the focus, with a mixture of rural idyll and industry that relies on the water. By the end of the year there will be quite a body of work.

On Wednesday, 11th January at 10.00am we will meet at the  White Hart in Overton http://www.whitehartoverton.co.uk/eat-drink/. The second outing will be to the Bombay Sapphire Gin Distillery (more of this later).

I think this first day will be the hardest of the journey, not only because it is January, cold and wet, but also it is a new experience for us all.

The Test rises in a field to the east of Overton. A footpath can take you very near to it but it is a wellies venue. Quiddhampton Mill is very attractive, as is the view from the bridge at Polhampton. The back gardens of Overton, going down to the stream through the town are attractive in a different way.I think we will probably take a look at different spots on the day.

Throughout the year I am trying to keep to mostly public sites so you can revisit them in your own time if you feel you need more information.

It is possible to take a shopful of equipment but that just gets expensive and annoying.  I would suggest a large hardbacked sketchbook, or a board and paper, masking tape, a camera or phone, pencils, charcoal etc and whatever paints you are happiest using. I will take some pens, oil pastels and the bright dyes I like to use. Also useful can be a large envelope, or plastic filing sleeve.  I always pick up bits and pieces and it helps to have somewhere to put them. I might put in something to sit on, I might not.  I have a travelling easel but I won’t bring it.
I have my fingers crossed that umbrellas won’t be necessary!
If you know of anyone who might be interested in joining us please pass on the information.

Art Classes


2017 is just over the horizon.

 

New Year’s Resolutions – who’d have them? How do you make sure they last beyond January 3rd? In my household we are busy with plans and resolutions with varying degrees of probable success. Here are some Measham thoughts –  going to more exhibitions, being a bit tidier, less chocolate (yeah yeah) and some of us want to be more rigorous about painting and drawing EVERY DAY.

So many plans. Good.

‘Keep busy, keep trying new things, and learning new skills, join groups of people doing things they enjoy doing’

The Mantra for 2017 (no mention of chocolate)

barometerWe have lots of classes on offer. Some are one off chances to try something new, others are like putting on something comfortable. There are some short courses and some things that will last all year. As the year goes on new classes will be offered so keep an eye on the website.

There are classes at Wherwell Priory Studio, the Riverside Yurt Café (and its winter quarters) and at Rum’s Eg in Romsey.

For more information about times, costs etc click this link:

Courses for the cold bits, 2017

The River Test will be the subject of a year long investigation, (The River Test, Source to Sea, A Journey) and there will be a weekly instagram drawing for anyone to join.

January classes are as follows:

Monday, 9th Jan, Seeds, Shells, Stones and Skulls, at Wherwell Priory

Wednesday, 11th Jan, River Test, Source to Sea, a Journey, at Overton

Sunday, 15th Jan, Size Matters, at Rum’s Eg, Romsey

www.hampshireartandcraft.org/adult-workshops–courses.html

Wednesday, 18th Jan, Just Painting, at Wherwell Priory

Wednesday 25th Jan, Crash Course in Oil Painting, at Riverside Yurt Cafe, (Winter Quarters)

Courses for 2017

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Other classes to look out for – more information soon:

Upcycle Dolls and Stuffed Toys.  Give new life to old toys (yours, a loved one’s, or from a charity shop) Turn them into monsters, fantastic creatures, or something altogether more avant-garde. This is not designed as a dolls hospital; more Frankenstein revisited with plastic surgery.

Time; Ephemeral, Past and Present. A photo can capture a moment but how can we approach time passing, and time passed?

Russian Doll Painting. Mess with tradition.  Instead of a Matryoshka with head scarf and flowery pinafore create a nest of dolls with a story, maybe a family history, your own  hidden characteristics, secrets and aspirations. Or animals, bugs, skeletons, muscles, or your last three meals…endless possibilities.

Please contact me if you would like more information, or to book onto a course:

Kate Measham

or fill in the form below –

 

 

 

 

 

Still life in the Still Life


Still Life should NEVER be boring

One of the principal genres (subject types) of Western art – essentially, the subject matter of a still life painting or sculpture is anything that does not move or is dead. Tate website

The Still Life is a place to play with ideas, experiment with materials, try new compositions, most importantly, to take your work forward. Still life gives the artist more freedom in the arrangement of elements within a composition than do paintings of any other types of subjects.

There are a few classes left this term to try new things, play with old ones and to put your own stamp on the genre.

Each class is £45/ea, or £120 for 3. Please contact kate@artdrawpaint.com for more information.

Cezanne does Still LifeCézanne,_Paul_-_Still_Life_with_a_Curtain.jpg

15th November, 9.30am – 12.45pm

Cezanne found in Still Life a vehicle for his revolutionary explorations in geometric spatial organization. For Cézanne, still life was a primary means of taking painting away from an illustrative or mimetic function to one demonstrating  the elements of color, form, and line – a major step towards Abstract art.

You will look at Cezanne’s Still Life, with a fresh version in the studio, learn from his approach and bend it to your will.

 

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Colour as it Isn’t

22nd November, 9.30am – 12.45pm

Today is all about colour; why stick with a dull copy of the objects in front of you when you can do so much more? You will be playing with the idea of restricted palettes and full on, full blast, sock-it-to-the-Fauves bright and wild palette. See what suits you.

Throw Everything at It

29th November, 9.30am – 12.45pm

Rather a clumsy title but gives some indication of  the mixed media, multi media approach of contemporary practise. During the 20th and 21st century, the notion of the still life has been extended beyond the traditional two dimensional art forms of painting into video art and three dimensional art forms such as sculpture, performance and installation. Some mixed media still-life works employ found objects, photography, video, and sound, and even spill out from ceiling to floor and fill an entire room in a gallery.

You will be restricted by the size of the studio otherwise let your imagination run wild – something akin to Blue Peter on a sugar rush (?).

 

Lines of Thought


I saw an enthusiastic review of this exhibition and hope to get to see it before it closes.

Poole Museum

Poole Museum Service
4 High St, Poole, Dorset, BH15 1BW

Saturday 3 September – Sunday 6 November 2016

Open daily: 10am – 5pm

Lines of thought

Drawing from Michelangelo to now

Saturday 3 September – Sunday 6 November 2016

FREE

Poole Museum is delighted to be hosting an exhibition of drawings from the British Museum, home to one of the world’s greatest graphic collections. Lines of thought: Drawing from Michelangelo to now explores the importance of drawing as one of the most effective mediums for expressing and representing an artist’s ideas. The exhibition showcases selected drawings from masters such as Leonardo da Vinci and Michelangelo right up to artists working in the present day.

This exhibition will tour to just three UK locations, Poole, Hull and Belfast before travelling internationally. It aims to encourage art students and art lovers to engage with and learn to draw from their local and national drawing collections.

Remember to bring your sketchbook or ask at the museum for drawing materials to have a go at being inspired by the masters! or if you are between 6 and 18 years old why not take part in our drawing competition, Junior Poole Open. 

Generously supported by the Bridget Riley Art Foundation.

Image: Rembrandt (Black chalk and charcoal on paper, an Asian elephant c.1637)

© Trustees of the British Museum

An exhilarating show        The Telegraph

Featured in The Guardian’s 5 of the best…art exhibitions

 

Poole Museum Service
4 High St, Poole, Dorset, BH15 1BW

 

FREE taster day – Learning to Look


If you haven’t been to any of my classes before you might be a bit anxious about embarking on a course without knowing what you are letting yourself in for. Try this taster day, the first of the Still Life sessions of the term.

20th September,  9.30am – 12.45pm

Free ‘taster’ class open on a first come, first serve basis. Open to anyone whether you have been to a course with me before, or not. Please email me if you wish to come along; I need to know numbers.

This is the basis of all drawing and painting and is surprisingly easy to ignore, especially when you think you ‘know’ an object. There will be a number of exercises to help you really SEE what is in front of you.

This class will show you various ways to trick you into seeing what is in front of you.

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