Exhibitions

 Tate Modern

Tate Modern presents the UK’s first major retrospective of Alberto Giacometti for 20 years

Tate Modern

10 May – 10 September 2017

Celebrated as a sculptor, painter and draughtsman, Giacometti’s distinctive elongated figures are some of the most instantly recognisable works of modern art. This exhibition reasserts Giacometti’s place alongside the likes of Matisse, Picasso and Degas as one of the great painter-sculptors of the twentieth century. Through unparalleled access to the extraordinary collection and archive of the Fondation Alberto et Annette Giacometti, Paris, Tate Modern’s ambitious and wide-ranging exhibition brings together over 250 works. It includes rarely seen plasters and drawings which have never been exhibited before and showcases the full evolution of Giacometti’s career across five decades, from early works such as Head of a Woman [Flora Mayo]1926 to iconic bronze sculptures such as Walking Man I 1960.


Josie Eastwood Fine Art  Exhibition 

regular exhibitions – have a look at her website to see what is coming up next

Josie Eastwood Fine Art has a different formula to most galleries.

We hold four annual exhibitions which are hung around our home, with the intention of showing work of a wide range of artists and subject matter, within a relaxed environment.

The two main shows are in October and May, with a Little Picture Show in December and a Decorative two day sale in June. During the Spring Exhibition in May, sculptures and objects are also displayed around the garden.

Separately from the advertised shows we work with both private clients and interior designers – in the case of the former helping to build a collection of paintings; for the latter finding paintings to complement their own work.

http://www.josieeastwood.com/about

 


 The Royal Academy

See the natural world through the eyes of Charles Tunnicliffe RA, one of the best-known wildlife illustrators of the 20th century.

11 July — 8 October 2017

Tuesday – Sunday, 10am – 6pm.

Tennant Gallery, Burlington House, Royal Academy of Arts, Piccadilly

Charles Tunnicliffe RA (1901-1979) won acclaim for his closely observed depictions of birds and other wildlife. He portrayed these as a living, breathing part of the landscape, never as specimens. His distinctive etchings, wood engravings and watercolours – some of which you will see in this focused display – made his name as a fine artist and he was elected a Royal Academician in 1954. At the same time, Tunnicliffe’s work became known more widely though his popular book illustrations and commercial designs.To coincide with a newly published, comprehensive catalogue of his prints, we bring together a range of Tunnicliffe’s work, from accomplished prints and commercial designs for Brooke Bond tea cards, to original artwork for Ladybird Books – including familiar titles like The Farm and the What to Look For series about wildlife through the seasons. We also present the 1932 first illustrated edition of Henry Williamson’s Tarka the Otter, from the RA Collection.


5 August — 12 November 2017

“This is a perfectly conceived small show of big themes”

Financial Times

Step into the studio of Henri Matisse, brimming with the artist’s treasured objects. Focusing exclusively on their important role in his work for the first time, we will reveal how this eclectic collection took on new life in his transcendent art.

Matisse drew his collection from the far corners of the world: Buddhist statuary from Thailand, Bamana figures from Mali, furniture and textiles from North Africa. Rarely of material value, these objects were nonetheless precious. Offering points of departure to which he could return again and again, they appear in his work in different guises and across spans of decades, reinvented afresh in each new setting.

Matisse’s objects formed his repertoire, but they also provided him with influences from beyond the limits of Western art. African sculpture and masks were a revelation, suggesting more expressive models for depicting the human figure and face. Later, Matisse adorned his Nice studio with props from the Islamic world to create the sensuous sets for his ‘odalisques’, in which a harmonious synergy emerges between figure and object. And as his oeuvre reached its joyous apex in his cut-out period, he looked to the concise precision of Chinese calligraphy and African textiles as he sought to invent his own simplified language of signs.

This sumptuous exhibition offers a rare glimpse into the artist’s personal collection, as well as the paintings, sculptures and drawings it inspired. Seen together, they reveal how Matisse’s masterful vision of rich and masterful energy first stemmed from the collage of patterns and rhythms which he found in the world of objects.

 

 

 

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Art courses, in Hampshire and beyond

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